Augmented Bodies - Brainstorming

This particular assignment is full of possibilities. Practical ideas? I could do that. But I don't really want to. Besides, many of the more practical ideas have already been illustrated or involve internal devices (thinking back to my thought pushing idea during the Vannever Bush assignment).

A few practical ideas I had included a small glow stick style unit placed just under the skin that changed colors with moods and emotions. I was thinking heavily about how much difficulty people with Aspergers (or on the autism spectrum) have reading people's facial expressions and understanding emotions. A small indicator would allow for a cue to be visualized based on color instead of trying to differentiate minute facial cues.

Great idea, but sort of a boring augmentation to illustrate.

I started thinking about parasites and parasitism. Parasitism is a non-mutual symbiotic relationship that doesn't result does NOT kill the host. I found out that a parasitoid is an insect that produces larvae that eventually kill their host.

I started thinking about how humans sort of have a parasitoid relationship with the Earth. We're here. We don't do anything mutually beneficial for our host (the Earth). In fact, we are killing our host.

What if the Earth began killing off the parasites? I imagine a world that excretes a variety of toxins when they detect the presence of humans. Humans have taken to living in sealed environs to avoid the toxins but cannot survive forever in these sealed locations.

Humans began an attempt to hybridize themselves to evade the detection of the Earth. They have become shapes shifters, allowing them to take on characteristics of various plants and animals. These characteristics allow them to avoid detection, thereby preventing toxin excretions.

I practice yoga. A lot. I used to teach yoga to kids (most fun ever) and try to incorporate yoga into my everyday life. I started thinking about various poses and how they reflect nature.

I was really intrigued by scorpion, but I would likely need props because I don't have the arm strength I used to. Removing the props and background would be a lot of work. (not impossible, but a lot of work nonetheless). Also, a human shifting into a scorpion form would be a HUGE scorpion. Seriously huge.

I will be working with tree pose instead.

Indeterminacy Switch

I did Vanessa's Indeterminacy project, which was to create a poem using letters scrambled from the answers to a series of questions.

The questions/answers were as follows:

Your full name: Sarah Nicole Love Kelly

Where you were born: Sacramento

Your favorite food: Strawberries

The name of your favorite song: Green and Dumb

Your astrological sign: Taurus

Your Chinese zodiac animal: Sheep

Your Mayan astrological sign Eagle.

This gave me the following numbers of letters:

a b c d e g h i k l m n o p r s t u v w y 8 2 2 2 12 2 2 2 1 5 2 4 3 1 7 6 3 3 1 1 1

This gave me a total of 70 characters  to work with. 

The directions as written weren't entirely clear as to how to use the letters, but I got clarification from Vanessa (I wasn't sure if I was to re arrange the letters or if I had to choose a word that started with each of the 70 letters). 

Here is the outcome. 

Working with Chance - Shifted Perspective

After thinking about what we have been discussing for this class about indeterminacy and working in chance, I decided to apply it to my independent studies class as well.

In 3D printing, a lot of variables are left to chance. There is no guarantee that your print will be successful. If you print the same object 1,000 times, there are any number of things that will effect the outcome. Ambient temperature, material, hot end temperatures, computer issues, hardware issues, and more can change the outcome of your print.

Case in point:

This is an 18 gallon tote filled with failed prints (going back about a year - there are more that have been thrown away or are in other boxes as well). Some failed due to equipment failure. Some failed due to material failure. Some of them we have no clue as to why they failed. 

This box is intended to be run through a "filabot" style machine to reclaim the expended filament. Mind-2-Matter and LaserGnomes try to be as green as possible, so reclaiming spent filament is inline with our  business plans. I figured in the meantime, I could do a bit of reclamation myself. 

I spent some time digging through the box to create a sculpture from failed and discarded prints. Since we design and print a myriad of things from engineering parts to organic shapes, it was an interesting melange of components to choose from. 

We had a number of MegaFire and SlugFire shells that failed for various reasons or were made prior to additional revisions that lead to our finished retail ready products for NERF blasters.  We also had a number of failed flowers from another project that we undertook for Valentines Day. 

Obviously it's time to get a larger photo tent :)

Shifted Perspective

Shifted Perspective

Shifted Perspective

American hypetbodies

http://www.nextnature.net/2011/06/american-hyperbodies/

Indeterminacy Part 1 revised

I revised my original instructions for my indeterminacy assignment. I decided to add a component.

Instead of using the instructions to create a single artwork, we will use the formula to create 10 separate images and layer them in Photoshop reducing the opacity with each additional layer.

#1

#2

#3

#4

#5

#6

#7

#8

#9

#10

Final Compilation

REVISED INSTRUCTIONS

Step 1: Go to random.org

Step 2: Change the Max number on the Random Number Generator to 10. The numbers generated will determine the number of each shape you will add to your canvas.

Step 3: Open Adobe Illustrator. Set your new document to 12” x 12”.

Step 4: Generate a number of shapes that you will add to your canvas for the following shapes:

1.       Circle (Ellipse tool – make sure to hold the shift key down to create a symmetrical circle)

2.       Rectangle

3.       Line

4.       Triangle (Star tool – click once after selecting the tool and change # of points to 3 to create a triangle)

The shapes do not have to be of equal size or placed in any predetermined pattern. Just follow the number of shapes generated by the Random Number Generator.

Step 5: Change the Max number on the Random Shape Generator to 4.

Step 6: The number generated by the Random Number Generator will correspond to the number listed next to the shape above. You will apply colors to the shapes/lines in the following order:

·         Red

·         Blue

·         Green

·         Black

Example: The first color is red. The Random Number Generator generates the number 4. All Triangles would be changed to Red. The second color is blue. The Random Number Generator generates the number 2. All Rectangles would be changed to blue. Continue this operation 4 times. If the same # is generated multiple times, you will change that item multiple times (in my example, I got # 3 two times. First I changed the lines to green, then they were changed back to black). 

Step 7: Repeat process 10 times for 10 separate canvases. Export each iteration as a .jpg

Step 8: Open Photoshop.

Step 9: Open your first .jpg, this will be your base layer. Leave at 100% opacity. Adjust canvas size if it did not save as 12”x12”.

Step 10: “Place” each additional randomly created jpg as a layer in this document. Reduce the opacity of each layer by 10%. You will start at 100% with the base layer and the 10^th layer set at 10%.

Step 11: Flatten image and save as jpg.

Indeterminacy Part 1

3 artists using Chance 

Jean Arp - Used torn paper to create collages left to chance. Jean would drop torn bits of paper and affix them where they landed.

Jackson Pollock (likely one of the greatest known artists that left things to chance) allowed the materials to fall where they may and interact with each other instead of meticulously placing materials on canvas. 

Manfred Mohr - digital artist using algorithms to generate chance art. He programmed his first art piece in 1969 and was still creating work as of 2012.

I decided to use a combination of Illustrator and a random number generator to create a random artwork.

I used to do this exercise with my students using paper, pencil and markers. I created slips of paper with shapes, numbers and colors. It was up to the students to determine size, placement, etc. It was really interesting to see how each student interpreted the same instructions. We called it "same but different" (I worked with 5-10 year olds and they liked the name).

Here is the result of my random number generation:

Here is the text of my instructions:

Step 1: Go to random.org

Step 2: Change the Max number on the Random Number Generator to 10. The numbers generated will determine the number of each shape you will add to your canvas.

Step 3: Open Adobe Illustrator. Set your new document to 12” x 12”.

Step 4: Generate a number of shapes that you will add to your canvas for the following shapes:

1.       Circle (Ellipse tool – make sure to hold the shift key down to create a symmetrical circle)

2.       Rectangle

3.       Line

4.       Triangle (Star tool – click once after selecting the tool and change # of points to 3 to create a triangle)

The shapes do not have to be of equal size or placed in any predetermined pattern. Just follow the number of shapes generated by the Random Number Generator.

Step 5: Change the Max number on the Random Shape Generator to 4.

Step 6: The number generated by the Random Number Generator will correspond to the number listed next to the shape above. You will apply colors to the shapes/lines in the following order:

·         Red

·         Blue

·         Green

·         Black

Example: The first color is red. The Random Number Generator generates the number 4. All Triangles would be changed to Red. The second color is blue. The Random Number Generator generates the number 2. All Rectangles would be changed to blue. Continue this operation 4 times. If the same # is generated multiple times, you will change that item multiple times (in my example, I got # 3 two times. First I changed the lines to green, then they were changed back to black).